The artist in the long red dress represents a generation. Born in 1988, a year that will never be forgotten in the troubled history of Myanmar, they carry the burdens of the past and endure the systematic destruction of the present. They staunchly oppose the revival of outdated thoughts and concepts from previous generations, which persist like bamboo poles and bind step by step like chains.
Amidst this framed situation is the generation that rushes to catch up with the changes in the world. We are still preparing to lend a hand to the new generation born of fresh ideas and creative shifts in the world. This is the generation tasked with navigating ideological conflicts between the old and the new.
The revolutionary colour- vibrant red of the artist's attire represents a generation thriving as they break free from outdated stereotypes and ideas of the past.
The artist in the long red dress represents a generation. Born in 1988, a year that will never be forgotten in the troubled history of Myanmar, they carry the burdens of the past and endure the systematic destruction of the present. They staunchly oppose the revival of outdated thoughts and concepts from previous generations, which persist like bamboo poles and bind step by step like chains.
Amidst this framed situation is the generation that rushes to catch up with the changes in the world. We are still preparing to lend a hand to the new generation born of fresh ideas and creative shifts in the world. This is the generation tasked with navigating ideological conflicts between the old and the new.
The revolutionary colour- vibrant red of the artist's attire represents a generation thriving as they break free from outdated stereotypes and ideas of the past.
